Partitions Numériques de I won't dance pour Orchestre

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I won't dance
Non classifié 4

Piano & claviers
2 Pianos, 4 mains 21
Piano, Voix et Guitare 15
Piano seul 12
Instruments en Do 2
Piano Facile 2

Piano, Voix 2
Piano grosses notes 1
Accordéon 1

+ 3 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 5
Guitare notes et tablatures 1
Guitare 1

Voix
Chorale SATB 3
Chorale TTBB 3
Chorale SSAA 2
Chorale 2 parties 2
Voix seule 1

Chorale Unison 1
Voix duo 1

+ 2 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 2

Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

Cordes
Trio à Cordes: 2 violons, violoncelle 1
4 Contrebasses 1
Quatuor à cordes: 2 violons, alto, violoncelle 1
Violoncelle 1

Percussions & orchestre
Orchestre d'harmonie 9
Orchestre 3

Ensemble Jazz 2

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I won't dance

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3 partitions trouvées

'Three symphonic rachenitsas'

'Three symphonic rachenitsas' #Orchestre #INTERMÉDIAIRE #Vasil Belezhkov #'Three symphonic rachenitsas' #Vasil Belezhkov #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.1015015 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and parts. 52 pages. Vasil Belezhkov #4836357. Pu...(+)

Full Orchestra - Level 3 - SKU: A0.1015015 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and parts. 52 pages. Vasil Belezhkov #4836357. Published by Vasil Belezhkov (A0.1015015). Rachenitsa is the name of arguaby the most famous Bulgarian folklore dance. It's written in 7/8 time signature (2+2+3). My composition consists three parts representing different folklore regions (Thrace, Dobrudzha, Shopluk) and are to be played without rest between them. I wrot this composition for the 19th 'International competition for symphonic composition in 7/8' (Sofia, BULGARIA, 2019), and after qualifying for the final stage I won the Award of the Public eventualy. I'll upload later in YouTube the live performance of the Sofia Philharmonic.NB. Since I don't know how to upload the set of parts - if you purchase the score just send me here vasil_belezhkov@mail.bg a screenshot of your payment and I'll send you the entire '.rar' for free.

$49.99 ≈ 46.66€

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra #Orchestre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #Symphony No. 6 ... The Penobsc #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...(+)

Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

$9.99 ≈ 9.32€

Divinum Mysterium

Divinum Mysterium #Orchestre #INTERMÉDIAIRE/AVANCÉ #12th Century Plainchant #Robert Myers #Oboe 1,2 #Divinum Mysterium #WheatMyer Music #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...(+)

Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

$75.00 ≈ 70.00€

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